
Beauty Under Heavy Clouds
A lyrical meditation on fleeting beauty, the contradictions of an East Asian woman’s identity, and the intertwined threads of aesthetics, history, and freedom in Taiwan’s post-colonial journey.
A lyrical meditation on fleeting beauty, the contradictions of an East Asian woman’s identity, and the intertwined threads of aesthetics, history, and freedom in Taiwan’s post-colonial journey.
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AUSA Interview Series. Learn more about what it's like to work at AUSA.
Craccum's very own Lee Li opens up about her creative process on her journey as an asylum seeker in her coming documentary film
A poetic essay on Jackie Kennedy, Taiwanese girlhood, and the longing to reclaim history with grace. Camelot, to her, was not a fairytale, but a resistance imagined in silence and lace.
Parenthood according to assholes: ego first, child second, love optional.
A personal reflection on navigating the weight of Confucian traditions and the longing for liberation.
Camus said life is absurd; Radu Jude agrees—but adds neoliberalism, CapCut-edited memes, and EU development funds to the mix.
The Civic sells you homelessness at box office price; the city gives it away for free.
Realpolitik political cinema.
Between stillness and inevitability, Abraham’s Valley renders existence as a long pause before the final 'cut'.
During the first weeks of the 1981 Springbok Tour protests, an 'ordinary, non-political student' named Brett Buckmaster campaigned against AUSA's funding of anti-tour student protests. He did not succeed. [Craccum #18, 1981]