NZIFF 2025 Craccum Coverage | Lurker

Review by Veronica Zuo

The lines between fan and foe blur in Alex Russell’s Lurker, taking us on a whirlwind journey from within the LA music scene. Given a chance to be close to your idol, who wouldn’t take it? Matthew’s surprised by his luck when Oliver walks into his retail shop and invites him to his show. 

But it’s not easy fitting in. In a villa not unlike a Hype House setup, a sunny backdrop hides darker intentions. As Matthew navigates Oliver’s crew of creatives, or rather yes-men, it soon becomes clear that hierarchies within the house define his everyday relationships, leaving much to be desired. The push and pull, hot and cold makes Matthew want more, and in his pursuit he starts sacrificing those around him for whatever it takes to stay on the inside. 

Sucked into their parasitic world, Matthew’s anxious wide-eyed gaze gives way to a hint of madness underneath as he infiltrates Oliver’s inner circle. Théodore Pellerin as Matthew excels in this performance, especially when combined with uncomfortable close-ups that emphasise his emotional state. 

If there’s any line that defines the film, “I found my own family here, and I get to choose them,” does it. In a world where even the behind-the-scenes have their own curtain, maintaining your sanity is a real challenge. Exploring the inner turmoils of what it takes to be in the spotlight, Russell illuminates its shiny facade while sustaining a dark undercurrent throughout, making Lurker a fascinating watch.